Forming The Maslow Collection: A Reflection on the New York City Art Scene in the ’80s and ’90s | February 7 – May 25, 2020*
The New York art scene of the 1980s and ‘90s, which was inspired by changing technologies, globalization, industry, and pop culture, continues to influence contemporary art. Featuring select pieces from The Maslow Collection, Forming the Maslow Collection, consists of art created within and reflective of this pivotal movement in art history.
Marking fourteen years since The Maslow Collection has been exhibited at the Everhart Museum, this exhibition offers new insight not only into how the Collection was formed, but also into the many ways in which these works and the artists who made them continue to impact the art world. Six genres of artmaking, represented by works amassed by Marilyn and Richard Maslow, are examined, including abstractionism, conceptualism, documentary photography, minimalism, neo-expressionism, and pop art.
The Essence of Color: The Art of Victoria Lowe | September 27 – December 30, 2019
This exhibition explores the abstract paintings by Alabama-based artist Victoria Lowe. Inspired by stargazing and the feeling of sublime connectedness to things beyond the physical environment and conscious comprehension Lowe’s painting include abstract fields activated by color.
Another Way of Remembering | August 22 – December 30, 2019
Recent research has shown that the process of observing and making art can improve brain function, and potentially slow down the progression of the disease and overall memory loss. In support of this growing body of research, the Everhart Museum has undertaken a three-year research project with the Wesley Village campus of United Methodist Homes, as a means of examining how the process of making art can transform the effects of memory recall for adults with early-stage Alzheimer’s.
The Good News | May 17 – September 9, 2019
The Good News is an exhibition of photography that documents spontaneous moments of love, beauty, envy, horror, boredom and joy. The Good News is that everything is not the way it appears to be. The subject of each photo is meant to be interpreted through the visitor’s personal lens.
Works on Paper |May 17 – September 9, 2019
Works on paper make up one of the largest portions of the Everhart’s permanent collection. Works on Paper seeks to showcase the variety of artworks that comprise the Museum’s collection while specifically highlighting works that depict the human form and the human condition.
Queer & Here | May 31– June 17, 2019
Queer & Here seeks to commemorate the 50th anniversary of the Stonewall Uprising, a series of riots that served as major catalyst for the modern-day LGBTQ rights movement in the United States. Pride Month has since taken off as a point of celebration in queer identity and a reminder that the fight for equality continues to this day. As tribute to Pride Month, Queer NEPA and the Everhart Museum will be co-hosting an exhibition showcasing art by ten local LBGTQ creatives.
OurSELF | February 1– April 29, 2019
OurSELF seeks to create empathy and open dialogue about mental health through a thoughtful, interactive art installation. This exhibition takes the visitor on a journey through a series of sequential experiences that represent the human experience during the span of an hour, a day, a year or a lifetime.
Exhibition and programming sponsors include: Everhart Museum, Frieder Foundation, the Kiser Family, Lackawanna County, Moses Taylor Foundation, Pennsylvania Council of The Arts, the Pettinato Family, and Posture Interactive.
HerSELF | February 1– April 29, 2019
Amy Kiser found her voice as an artist and a survivor through a series of paintings and lithographic prints. Kiser’s work is reflective of powerful and traumatic life experiences which she conveyed through the use of color washes and line work that create overlapping layers onto her subject matter. The result is often haunting. These emotional depictions, most often of women and animals, were a source of power for Kiser and offer us insight into HerSELF.
Preserved: Traditions of the Andes | March 9 – April 7, 2019
For a short time only, the Everhart will explore the traditions of ancient Andean culture. Textiles, pottery, and other South American artifacts from the Museum’s collection will be used to discuss the science of preservation and how artifacts like these have found their way to the Everhart. This exhibition will allow you to see how Andean traditions have evolved and how some practices are continued today by living indigenous communities.
Hunt Slonem | September 28 – December 31, 2018
Called a Neo-Expressionist, Hunt Slonem combines Abstract Expressionist techniques with mysticism and is best known for his paintings of tropical birds and bunnies. He uses an abstract platform for his traditional subject matter, developed with gestured brushwork and bold Warholesque repetitive compositions. This exhibition highlights a series of works that were created early in his career and informed by his time spent in Cholula, Mexico while attending the Universidad de las Americas. The vibrant large-scale paintings produced between 1978 – 1986 are a reflection of the time spent exploring ancient Aztec archaeological sites.
AMERICAN VISIONARY: John F. Kennedy’s Life and Times | October 5 – December 31, 2018
American Visionary: John F. Kennedy’s Life and Times brings together seventy-seven images culled from the John F. Kennedy Presidential Library, Getty Images, private collections, and the Kennedy family archives. The dramatic scope of Kennedy’s life is evident in these photographs—from his first congressional bid as a decorated war hero in 1946, his fairytale marriage to Jacqueline Bouvier in 1953, his run for the White House in 1960 and role as commander in chief, to the tragedy of his death in Dallas in 1963. These images remain as indelible evidence of John Kennedy’s personal charisma and political accomplishments.
American Visionary: John F. Kennedy’s Life and Times is presented by the Everhart Museum and Wiener Schiller Productions in cooperation with the John F. Kennedy Library and Foundation. Generous support for the exhibition is provided by the Governance Institute and the Blanche and Irving Laurie Foundation. Additional support provided by Stephen Kennedy Smith and Getty Images.
The exhibition was underwritten by:
Kathleen Elliot | May 25 – September 3, 2018
Kathleen Elliot creates intricate plant-inspired plant sculptures, such as imaginary botanicals of flameworked glass. Leaves, fruit, seed pods and flowers are reimagined in new varieties of organic life. Natural forms appear in unexpected colors and in fantastic, new combinations. Through this process, the vocabulary of observed botany becomes a vehicle for personal expression. Exhibition organized by Katharine T. Carter & Associates.
New Frontiers | May 28 – September 3, 2018
In coordination with the 8th International Conference of Contemporary Cast Iron, the Everhart is pleased to present New Frontiers.
Considering the conference theme, “Post Industrial Iron: Divergence, Dialog, and New Directions”, this juried exhibition emphasizes the idea of time, travel, movement, place, space, and connections. Featuring work by Kevin Dartt, Naomi Campbell, Frank DePalma, Alex Grabiec, Paul Higham, Stacey Holloway, Rian Kerrane, Lauren Koch, Coral Penelope Lambert, William Prtune, Andre Rubin, Woody Stauffer, and Michael Richard Thron.
MAKING FACES: Portraits by John Kascht | February 2 – May 7, 2018
MAKING FACES is a retrospective of drawings and paintings by caricature artist John Kascht, whose irreverent work turns the leisurely pastime of people-watching into an Xtreme sport. Over a 30 year career as an illustrator, Kascht has created work for album covers, theater posters, gallery collections, and most major publications. MAKING FACES features portraits of historical and contemporary notables, and includes subjects of interest to political junkies, moviegoers, music lovers, history buffs, artists and even people who hate art shows. In addition to entertainment, the show delivers thought-provoking glimpses into the serious intent behind the funny pictures. Visitors to the show are sure to leave smiling and it’s likely they won’t look at faces – or the mirror – the same way again.