Current Exhibitions

Trumpet Player by Verna Hart

Black History Month Exhibition

February 12–March 2, 2025

In recognition of Black History Month, the Everhart Museum presents a month-long exhibition combining paintings and poetry that celebrate voices that have not only become central to the black experience in America, but that are also staples of the American experiment. Through paintings culled from the Everhart collection and selected poetry, the exhibition highlights the shared desire to be heard.

2025 Scholastic Art Gold Key Exhibition

February 7–March 2, 2025

UNIVERSAL CODES: WORKS BY DANIEL MARTIN DIAZ

January 8–April 6, 2025

Arizona-based artist Daniel Martin Diaz pulls from an eclectic mix of influences including fantastical Mexican religious iconography, mystical votive offerings, the Early Netherlandish painters, Gothic ornamentation, arcane religious sigils and medallions, alchemy, and the symbolism of secret societies to create distinctive paintings. Much of his work examines the concepts of death and religion, as he seeks to pose questions but not answer them.

Peace, Love, and Music

In celebration of the 55th anniversary of the Woodstock Music Festival, Peace, Love, and Music is a retrospective on the sights and sounds of the 1960s, touching upon both the popular culture and the political and social aspects that shaped the country during this era.

Showcased in this exhibition are posters, records, art, photography, including a collection of photographs of Bob Dylan taken by renowned photographer Jim Marshall, and signed guitars from members of some legendary bands that performed at Woodstock including Mountain, the Grateful Dead, and Santana, among others. 


This exhibition is generously supported by PNC Bank.

Bob Dylan and Joan Baez, Newport Folk Festival 1963,
by Jim Marshall

Bob Dylan and Len Chandler, Newport Folk Festival 1964,
by Jim Marshall

Herbert Simon: Painter…Sculptor…Printmaker…Master

November 21–February 18

A retrospective of the life’s work of sculptor, printmaker, and painter Herbert Simon, this exhibition presents the wide breadth of the artist’s prolific and diverse output in all facets of his artistic quest.

Born in Nashville, Tennessee, teaching and practicing throughout the United States, and finally settling in Northeastern Pennsylvania, Simon shifted from representationalism to pure abstraction, eventually settling on a place somewhere between the two. Having studied with leading figures of abstraction including Hans Hofmann, Robert Motherwell, and Phillip Guston in the mid-century, and highly inspired by the industrial landscape of Northeastern Pennsylvania and simple everyday objects later, Simon developed an approach encompassing both styles to satisfy his vision.

I Think Continually of Those Who Were Truly Great by Ben Shahn (1898–1969)

Ben Shahn Exhibition: Freedom Summer, 1964

Ongoing

This gallery is sponsored by John A. Farkas in loving memory of Nancy S. Farkas and John Anthony Farkas, Jr.

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