The Everhart Museum has extensive collections with an emphasis on natural history and the visual arts. The collection has grown over many years and expanded on Dr. Everhart’s dream for the institution.

Painting

The Everhart Museum has an extensive collection of American paintings, both historic and contemporary, and a smaller collection of European works.

Works on Paper

This collection includes works from around the world – drawings, prints, mixed media collages, assemblages, and photographs.

Decorative Arts

In addition to ceramics, wood, textiles, porcelain, and metalwork pieces, the museum has an extensive collection of Dorflinger glass.

Dorflinger glass was produced in White Mills, Pennsylvania, from 1852 to 1921. The factory, founded by Chrisitan Dorflinger, was renowned for its cut glass and stemware. The prestige of the factory was enhanced by its reputation for fine tableware that was sought after by eight American Presidents, from Abraham Lincoln to Woodrow Wilson, and select European royalty.

Folk Art

The Everhart Museum has an outstanding collection of American Folk Art, selections from which are on permanent display. Folk art is most often defined as work produced by artists who did not undertake academic training and whose work was created for the population at large. It was in 1934 that Mr. and Mrs. John Law Robertson lent significant pieces of American Folk Art for an exhibition at the Everhart Museum. Most of these collections were later acquired in the years 1946 to 1948 and these form the base of the extensive American Folk Art collection. Mrs. Robertson was one of the first individuals who exclusively dedicated time and money to develop on one of the seminal collections of folk art in the country. Her enthusiasm for folk art is recorded in letters stored in the Museum archives where she explicitly states her commitment to, and passion for, art that was frequently ignored by institutions exclusively dedicated to ‘fine arts’. Mrs. Robertson, an area native, balked at the conventional, conservative trends of the art world in favor of what she deemed of value. Like other early folk art collectors, she sought American art outside the established halls of the Academy, understanding the intrinsic beauty, the evident craftsmanship, and the inherent history of these objects.